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Agates Sea

Strange drops of water remained there on the beach.
Rollers gelatinous left by the tide? Rich Diamond
stranded result of a shipwreck? Or
outbreak of some invertebrate?

When I was walking, walking along the shore,
advantage that day, the spring sun, The heart
exhilarated, to banter about, I stumbled
surprised, collected on these clusters.

The tide went out, leaving as a wreck,
All these fine beads, rosary strange,
A line showing, as would a rope
limit of waves, surf the summit.

Where could they come. What strange arrival!
Was it a giant who wanted to have fun?
As a toddler, with those of his age
Jam with agates in the playground.

I leaned over to see what funny Areopagus
daring finger, low temerity!
Small animals such as a translucent glazing
probably cnidarian, come here, run aground.

But not a single adult in this sad display.
larvae shavings? Anyway babies.
they ever know the exhilaration of a great journey,
Or they end up on the wet sand?

only do they dream of leaving these shores? Find
armies sunshades
Who immersed in the current, slowly bluntly,
followed the wave master, go to their destinies.

But let us not be fooled by this image. Pet
battle fully armed, which
bites and burns are the preserve,
They are not mine, feared predators.

But with three per cent of flesh for any baggage,
These bladders swollen with water, as seen in summer
amalgamated with seaweed, dried on our shores,
Seeing these agates, I doubt my idea !

For the past two weeks, I'm in the shine!
I did not recognize these creatures emerged.
Glued and mouth closed as a thin shell, I
remains baba, frankly ..... Medusa!

April 2010

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"Les Amours dissident" Boris Arnold, 1956.

curious book that these "dissident Love" by Boris Arnold, published in 1956. The introduction should be good news:

First, a basic truth - seemed like our big Colette - a truth that, unlike Ms. Peloux mother Honey, there is no need to repeat: "I like men! ...

And as soon as he can remember, I always loved from the very moment when I was in a hundred places to imagine the pleasures he was and will always be able to taste through them. (P. 9).

The tone is set. It is a vision uninhibited, almost slight, homosexuality given to us to read this novel in which one can think he has a background autobiographical.

After a few chapters on his first love, his initiation, and then entered the gay world of Paris before the war (it includes a time he was born around 1918), we enter quickly into the book's central theme: the love of the hero, Maurice Maurel, the "I" throughout the story, with beautiful blond and Germans during the Occupation. This forms the central narrative frame. That we do not think that at this point, the tone has to do more dramatic! There is always a little levity this switch, which combines sometimes more serious when he tells his failures, often an awkwardness a little cruel, or irrational love for Marc.

Written 10 years after the end of the war, he has no regrets, admitting, in the only passage where he tries to justify in the name of the search for love: "My crime - if crime there was - was expiated and beyond "(p. 189). On occasion, it is cruel and ironic, but without bitterness vis-à-vis all those who took advantage of his good relations with the Germans or French that he has all these puzzles, in cahoots with the Germans just before the situation becomes damaging for them.

I questioned the motivation of the author. Did he justify himself? I do not think so, because its book does not present itself as a plea. Did he testify? Perhaps, but who could it be interested in these years, still so close to war, know that homosexuals French had liked the Germans. This theme also has done little recipe because only one other book addresses this theme, as fictionalized like this: The inverted world, Andre the Dognon. Since, this topic has not been a more comprehensive study, although it was marginally raised in stories of homosexuality. Ultimately, I think we should see in this book that the desire for a homosexual about his life, of his love, just to make the reader share his "four lovers, four loves four joys, sorrows four, all different, precious, regretted and, ultimately, all wonderful complements to each other." (P. 183). His loves have brought to the Germans. Why not? They could just as well have him go to workers, citizens, the Spaniards, who knows what else. At a time when Genet instituted his desire, which was the occasion to Nazi soldiers, and as a subversion that Sartre raised a statue politics, loves Boris Arnold for the Germans have almost an air of provocation as they seem so that natural and devoid of any ulterior political thought.

Behind the pseudonym Boris Henry Arnold hides Pérol, a Lyonnais employee Prefecture, became a bookseller. Belonging to the first circle of Arcadia, so will the delegate Lyon. Two chapters of his book have appeared in pre-publication in the December 1954 and February 1955 the journal of Arcadia. His book will then be widely advertised until his release in April 1956. There will be a review of Marc Daniel in No. of October 1956 (pp. 62-64). The article is generally complimentary, noting that This is a book that does not take itself seriously. Marc Daniel certainly seems a little embarrassed to a certain lack of virility. It is true that Boris Arnold sometimes shows a little "crazy" in its style or its references. Found in the writings of Mark Daniel's obsession with beginnings of Arcadia presentable for homosexuality, a homophily, which would stand out culture "crazy." Apart from this drawback, it highlights the serene vision of homosexuality, where love between men does not end in suicide, murder, deprivation, etc.. It is true that as such the book installment from the sordid and tragic vision of homosexuality yet very present at the time (see Jean-Paul Marcel Guersant), where sin and repentance are ubiquitous. It opens a path toward a "normalization" of homosexuality. As such, the book is worth reading. To end the criticism of Mark Daniel, loves with the occupant are rapidly processed, probably does not represent a "problem" for him.

The book, however, was prohibited on the grounds that it was "extremely dangerous nature." Those who think he was too raw or too direct in his account, they undeceived. If there is no mystery to the carnal aspect of all relationships, the story remains very allusive. Why, more than others, this book has suffered the wrath of the censor? Is it because it deals with relations with the Germans, without showing a lot of remorse? I think not. Political correctness had not yet struck. I rather think it is this painting of a serene homosexuality which has frightened the censor. Proof, if any, that his optimism was premature when he spoke of "people happily increasingly rare delight to imagine that we are monsters" (p. 22).

Finally these few notes I gleaned this sentence in the book, whose tone exemplifies the spirit.

"The next morning when I awoke in the bed and into the arms of Cllr Karl Hohlbein, I wondered why the Germans insisted on him so unpleasant by the war when they could provide so much joy in making love? " (P. 62).

Description of structure

Boris Arnold

Loves dissenting

Paris, Prima Union, 1956, in-8 (190 x 140 mm), 219 - [2] pp.

Poem For My Pregnant Sister

Mystery Photo

Well, what is that thing?

I have not had time to whip up a writing for two weeks, I propose a "mystery photo" scary!
Place your imagination, your culture or your holiday memories to give me the right answer ...

Hysterectomy And Livial

Gleaned Internet

During my travels over the Internet, I came across this message shown, among other things, a "pretty" little lithography:


She is from a small book of erotic 1830s, Tartuffe The libertine adorned with 6 lithographs. All pleasures are considered.


To learn more about this book: The Tartuffe libertine.

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April 2010 Easter Egg (Greed!)

First, you watch, coated paper
a ray of sunshine, just by tickling,
Manufactured spring under your nose a cloud iridescent
Preliminaries certainly a very nice time. You

your hand approaches. Your fingers are extended.
You brush against his coat, but do not touch.
arabesques Your arms are not to hurry.
You hold your envy, accentuating your excitement.

For it is ready to melt, then you make up your mind.
Gestures measured not to hurry.
But your heart speeds up, blowing your carotid artery. You
tear his top, crushing the paper.

Slowly, his tunic slip to the side,
Discovering this garden of pleasures expected.
You turn around a bit, admiring and enjoying this treasure
advance this bliss.

Your pupils dilate before this round
Who exudes under your nose, intoxicating fragrance. Its color is African
an eye-heart
Who incites you to yield to this sweet treat. You

caresses her hull, her sweetness disturb you.
Fine Oriental silk, soft alpaca square!
You close your eyes hard, because your desire redoubled,
Bursting with a thousand fires in the pit of the stomach.

So you no longer want, you Sink your teeth.
Your tongue is excited. Feeling bittersweet
Coming down the back of your throat, slowly
You let yourself be penetrated by the primary pleasure.

Pleasure was intense but far too short for you.
You want to go back, but now you do not dare.
Your head holds you, it makes you SO.
You want waived but you can not do that!

A strange feeling of joy and Gene
Fill all thy soul, before the blast. You
succumb again, intoxicated by the drink .... And
unwanted pounds today, you do not care!

April 2010

Wedding Programs Memorials

"The Chancellor of Flowers", by Robert de Montesquiou, 1907 Symposium

When Gabriel Yturri died in Neuilly July 6, 1905, Robert de Montesquiou is inconsolable.

Photographic portrait frontispiece of Yturri.

To keep the memory of that love of 20 years, and in memory of his friend, he did something to his measure, worthy of his flamboyant image of a dandy: he dedicated a book, printed in 100 copies and carefully connected, he distributes to his friends. It's one of those copies that I present today.


Everyone knows Robert de Montesquiou, a dandy from a very ancient family, born in 1855. It went down in history for being the model of Baron Charlus in Search of Lost Time . It would also inspired Huysmans for her character in Des Esseintes A Rebours , and Jean Lorrain Monsieur de Phocas . It is the very image of the homosexual end of the century.

Photographic portrait of Montesquiou young.
I prefer the portrait by Boldon we see everywhere.

On 16 March 1885, when Delacroix exhibition at the Ecole des Beaux-Arts, Robert de Montesquiou, just 30 years old, meets a handsome Argentine 21 years, Gabriel Yturri. This meeting will be born "twenty years of unparalleled friendship, burning zeal and permanent dedication and bold visionary, unalterable and constant loyalty." The two men seemed that everything could oppose, will live twenty years together. Gabriel Yturri (by the way has the aura Montesquiou a particle) will be the "secretary" of the flamboyant Earl, who will not hesitate to impose it on all the Great World in which he was one of the referees. All feared his judgments to the punch. Gabriel Yturri will serve him faithfully, making himself at his messenger and protector. Diabetic after a long decline, Gabriel Yturri died in Neuilly-sur-Seine, July 6, 1905. Three years later, Robert de Montesquiou distributes its closest friends this book: Chancellor of Flowers. Twelve stations friendship.

Chancellor Flowers recalls the nickname he gave him. The book is organized into twelve chapters ( Twelve stations friendship ):
- I - Preliminary .
- II - Predestination . Short biography of Gabirel Yturri before his meeting with Robert de Montesquiou. Born in Tucumán (Argentina) 12 March 1864, he was spotted by a priest, Kenelem Vaughan, "seeing these good qualities, and away from bad influences" (what bad influences?), Failure to come to Europe.
- III - Roman Friendship . Chapter on friendship in general, with many references to great friendships from the past: Cicero, Montaigne and La Boetie, and Bouilhet Flaubert, the Goncourt brothers, etc.. Ends on the meeting with Gabriel Yturri March 16, 1885, lightning strike that Montesquiou euphemistically called "the miracle of feeling": "attachment which, in its initial momentum, had reached the highest peaks emotional."
- IV - Correspondence (Alter) . Excerpts from the correspondence of Gabriel Yturri, opportunity to present his life and the feelings he had for the author. A facsimile of the writing of Gabriel Yturri (board out text) illustrates this chapter.
- V - Correspondence (Ego) . Extracts from the correspondence of Robert de Montesquiou
- VI - The cauldron . On a marble basin found at Versailles, and purchased by Montesquiou in his garden pavilion of the Muses in Neuilly. That Gabriel Yturri who undertook the transportation and installation of this basin.
- VII - Images and impressions . On different images (photographs and paintings) of Gabriel Yturri. It evokes the full-length portrait showing the work (see above), evidence "that the meeting is intimate, and yet without trouble." The "footprints" are all the good memories he left with those who knew. The list is worthy of the Bottin Mondain-.
- VIII - Dedications and poems . Contains all the dedications and poems addressed to Gabriel Yturri or has inspired.
- IX - Finishes Coronat . Story of recent months and the death of Gabriel Yturri
- X - The Flower . Letters of condolence received by Robert de Montesquiou after the death of Gabriel Yturri. Among these letters, there are names Barres, Francois Coppe, Lucien Daudet, La Gandara, Countess Greffulhe, Reynaldo Hahn, Dr. Mardrus, Anna de Noailles. Many names of correspondents remind the world of Marcel Proust to his readers: Greffulhe, Caraman-Chimay, Brancoveanu Lemaire, Daudet, etc.. The letter from Marcel Proust, is the longest: "I have great sorrow tonight, plus any regret not having seen. . Indeed, "so ill", Proust could not get to his bedside and had sent his mother!
- XI - Libation and Nénies. Responses of Robert de Montesquiou
- XII - Hic jacet . On the grave of Gabriel Yturri Versailles Cemetery. Robert Montesquieu was buried in the same grave. This chapter is illustrated with a black and white photograph of the grave.

This angel who calls us to silence is a good conclusion for this profound story of love between two men. What better testimony than to dedicate this book, a monument of paper aged in his memory!

Yet this beautiful love story behind it carted its share of scandal and gossip. Some have termed Yturri Gigolo, as reported by Ghislain de Diesbach, in its sum on Proust (Perrin, 1991). It overwhelms Montesquiou its biting irony, calling this book is "more strange evidence that can inspire love allied to vanity."

can also talk about idle discussions about the exact nature of the physical relationship between them (see instructions Wkipedia!). Montesquieu has always hinted that their relationship was chaste, but this was perhaps one facet of the character he was building in the eyes of others. Mr. Larivière ( Homosexual and bisexual famous ) not believing, relates anecdotes about gravel dredges de Montesquiou in urinals around the Ecole Militaire.


Fortunately, Philippe Jullian in the beautiful old-biography that he dedicated to Montesquieu, is more measured, knowing justice to the importance for Montesuiou What would Yturri, soothing "mood of the master", the second in "hunting for trinkets, "but especially the following as his shadow. It relates still before the meet, was a salesman Yturri tie In Venice Carnival blouse Boulevard de la Madeleine and was already "protected" from Baron Doazan, another famous gay time . He added qu'Yturri "has not rolled his evil boss and knows the intrigues of the gay demimonde. However, Jullian not going to describe it as a gigolo. Further, he concludes: "Whatever may have been reports of Robert and Gabriel, and we may well believe them innocent, the poet never attempted to replace Yturri, he sought the disciples but not a friend."

All this should not make us forget that we do not live with a man for twenty years, to accompany him in his decline and death, if it is a gigolo. Dedicate a book to a friend death can not be vanity. I believe in the power of love that united these two beings, and nobody ever will know what they were for each other in privacy. I want to finish this evocation by image

It shows the beautiful light that is on Yturri Monesquiou (curiously from behind, perhaps to not show his own tenderness, that it would have to reveal another face of it, by getting rid of his mask flamboyant dandy). I see in the eyes of Yturri of tenderness, complicity and a little protection.

Description of structure

Slnn (Chateaudun, La Maison du Livre), 1907, in-8 (245 x 190 mm), 302 - [14] pp., 3 inset plates (two black and white photographs and a facsimile) with a frontispiece.


unnumbered pages at the end of the book contain a table and errata.
The imprint is 1908.

The book is bound in full marbled calf, as struck cold on the front cover, smooth spine, author, title and date back to the golden, gilded head, fitting.



It seems that all copies have been linked to the same, probably at the instigation of Montesquieu himself. Indeed, it is hard to imagine providing a paperback.

The book was pulled to 100 numbered copies, "printed exclusively for the author." He explains on page 42:
"Besides, this book, whose future will do what pleases him, treating him as he deserves, is, for now, for only a few. This small number, it will be those who, through misunderstanding of life, and despite the ignorance of the world, were able to disentangle Being exceptionally long they saw from me, some of these traits that are sufficient by their nobility, to learn about this book that do item, a feeling or thought. "

This copy is No. 100, no indication of the addressee or sent.

In public libraries (CCRB), there are only two copies at the BNF:
- No. 40: copy given to Henri Lavedan, with transmission: MZ-364 Res. Contains correspondence between the author and H. Lavedan about sending the former., Including 3 letters of the author, the 1st of April 28, 1906 containing a memory-image of G. Yturri of the other 2, July 1908, and the letter of thanks from H. Lavedan, 14 July 1908. This copy was scanned ( click here).
- No. 8: copy of Maurice Barres, with transmission: Barres Z-8908

There is also a copy at the British Library

A copy was given to Dr. Jacquet, with a shipment. After the death of the doctor, the book returned to Robert de Montesquiou, then went into the sale of his books in 1923. Then enriched with a photograph of Montesquieu, Henry Pinard's last secretary, it was proposed by Jacques Desse in its catalog "Archives gays and lesbians", 2005 (No. 836).

From correspondence with Henri Lavedan, as well as other information gleaned from the Internet, we deduce that the book was distributed in July 1908. Robert de Montesquiou gave reading June 27, 1908, reading Proust that regretted not having been invited.

Excerpts are available at:
www.reynaldo-hahn.net/Html/ecritsdiversChancelier.htm

Link on a recent page about another aspect of Montesquieu's life, his relationship with Leo Delafosse (we see also another photo of the couple Montesquiou / Yturri):
frounch.blogspot.com/2010/03/leon-delafosse-et-robert-montesquiou.html

Examples Of Saltwater Fish

I do not expect the Swallows Swallows

Leaving this morning, at sunrise,
As I lifted the nose to watch the sky,
I felt something brush against my ears:
She was finally here, the first swallow!

I saw him make three times around the house
order to verify that everything was in place,
sure that during this off-season,
No doubt it would work a threat.

Then she landed on one of the chimneys,
one that does not work, to find the nest
that will provide shelter during last summer
Happy to happen, its journey done.

Oh, I know the rest, I know all the ritual
For five or six days, I never see anything
By the time the family arrives, in single file,
Leaving for a time the African sun.

And then start a crazy serenade
Stories of nests that we must recover.
This will only cries, prosecutions and "... becada"
Until everyone can finally live.

And we curse at being awakened, With
, despite everything, a smile on our lips,
For it promises a hullabaloo was
Where we will have time to live, love and laughter.

I was mistaken as a mere week
sparrow And I was laughing good laugh!
But this crazy expectation was far from being vain,
Because since this morning, I am rewarded.

With a stroke on the almanac, I score this Thursday
That is, how curious, the first day of April.
And yet I swear I did not lie.
A fish like that would be too young!

They say a swallow does not make a summer.
Yet it is surprising that it happens today,
Since at April 1, long ago,
We celebrated the New Year, the return of life.

It's funny how sometimes, luck would have it!
No?

April 2010